Cybernetic Music/Roland Kayn/Feedback Systems/AI
Here is a snippet with the g0 in feedbackloop: Stream episode G0 Feedbackloop by allfiction podcast | Listen online for free on SoundCloud Read full topic
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I don’t know, in the end this is art, not science, I feel that the idea’s worth is what someone does with it, cybernetic is really interesting because it tests the boundary between a preconceived idea...
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Strong Richard Scott vibes in this one, the sounds have a very tangible and bodily quality. Read full topic
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Thanks for pointing me to scott. Will check his work. Now that i listen to the g0 snippet again i think i have to use a env follower in the feedbackchaim to tame some of the harsher parts. Also i...
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Cybernetic Music/Roland Kayn/Feedback Systems/AI
Ok so I went back to it, thank a lot for the idea @Johannes !! In the end I started from scratch with the idea to have a few “simple” controls. The patch still has the GRM granulator, a low pass...
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Thanks to everyone for their contributions to this thread. I’m still reading it but I find it extremely interesting and inspiring. I have lots to read/listen to as I am new to the topic-approach (I...
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I would like to highly recommend everyone interested in the stuff discussed in this thread to check out this recent release by the consistently fascinating David Dunn (and, if you find it as...
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Cybernetic Music/Roland Kayn/Feedback Systems/AI
I discovered that NLC’s Let’s Splosh works really well for feedback patching. My small VCV patch produces a wide variety of sounds:...
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Nice segment on cybernetics and non-linear serge patching on s2 e1 of memetunes TMP-2-01 Vintage Synth TV Series from Benge Read full topic
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Cybernetic Music/Roland Kayn/Feedback Systems/AI
Yes, and often. They’re expensive enough to compel one to use them in every dang patch. Read full topic
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Just uploaded an exploration of a feedback patch on a 3U R*S Serge system> Patch notes included. Back from the dead: Serge Feedback #11 Read full topic
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Thank you, this helped me discover more applications of the TWS, I have two and they are always underutilized. No more! I also discovered a simple way to get chaos by feeding the top (3rd) output of...
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Some interesting ideas there, great! So I’ll try use the top section of the TWS as well on the same patch and insert the DUSG in the feedback loop. Or indeed use the filter. Like I say in the video,...
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I enjoyed as well the hysteresis points – where the patch with the same settings suddenly takes on a different behavior and you have to move the comparator threshold or the other two TWS knobs a large...
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So, I’m a step further now. Took your advice on implementing the top section of the TWS, inserting the DUSG in the feedback loop and the VCFS filter. The patch is definitely better now. Less...
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Nice stuff, I appreciate these ideas and this thread. And these sounds. All of this is, I find, somehow obvious in the sense that this cybernetic stuff feels to me very natural to modular synths … and...
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It’d be great if you could share the exact patch with Maths or a short audio recording, sounds interesting! I’m going further, same patch as last time but the results are very different. I’ve set up a...
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I wrote a blog post inspired by this thread, with diagrams and audio examples: Nathan Ho – 19 Dec 23 Cybernetic Synthesis and Roland Kayn Let’s open this post with music. If you aren’t familiar with...
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Cybernetic Music/Roland Kayn/Feedback Systems/AI
hi nathan, thanks for your article & exploration! given you are inspired by this thread, in the article you frame it a bit as a mystery of how roland kayn’s cybernetic music was made (“there’s...
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Cybernetic Music/Roland Kayn/Feedback Systems/AI
Indeed a very interesting article! Hopefully gives more people the inspiration to do the same. And as @comma said there are no secrets. But I think we lack the translation for a modern modular system....
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